London (CNN) -- In an era of porn star politicians, legalized marijuana trade and same-sex marriage, it might seem that our liberalism knows no bounds. But this idea runs aground at the door of the bathroom, a subject still abjured in polite society.
"Nobody knows better than me," laughs Professor Barbara Penner, Senior Lecturer at The Bartlett School of Architecture and a leading toilet specialist.
"Everybody asks why I don't talk about Shakespeare or something nice. It's hard to talk about toilets in a serious or critical way."
But the author of
Bathroom 2014 wants us to try, because she believes there is something
deeply unhealthy about the way we perceive and relate to our most
intimate facilities. In a new exhibition Toilets: Evolution or Revolution, hosted by Japanese manufacturer TOTO as part of the London Design Festival, Penner critiques the designs that have dominated the era, as well as exploring the possibilities of more progressive ideas.
"We tend to think of our
model as normal and natural," says Penner. "An underlying aim of the
exhibition is to make people think why a toilet looks the way it does,
and how else it could look."
The collection of classic
images shows the dominance of the modernist aesthetic over the 20th
Century in the West, which the professor defines as: "white, functional
and utilitarian...the toilet was a symbol of modernist values of hygiene
and cleanliness, supposed to represent progressive civilization."
Penner contrasts this
with ancient civilizations such as Rome, with its culture of communal
bathing, and contemporary mores abroad, such as the Indian disregard for
privacy. She highlights the futuristic designs of Buckminster Fuller, who envisioned a portable bathroom with inbuilt recycling features in his Dymaxion house.
The exhibition also
charts the emergence of alternatives to the "hard, unyielding,
standardized space" of modernists, which placed greater emphasis on
pleasure and style, placing bathrooms on a par with other rooms of the
house. From the soft shapes and warm colors that accompanied the 1960's
sexual revolution, to the incorporation of technology in Sanyo's
self-cleaning bath of the 1970's - subsequently adapted for nursing
homes - innovation thrived in the post-war period.
Today, the modernist
style has endured, but is being updated with technology advances that
also change and personalize the experience, shown in Toto's display
models of self-cleaning, germ-killing, temperature-controlled,
resource-efficient "Cadillac" models. But to popularize a new concept
requires cultural change that allows openness about the subject.
"It happened with sex and
now I believe toilets are the final frontier of taboo", says Penner,
who believes we have something approach a psychological disorder. "I
would characterize it as schizophrenia. We lavish money on bathrooms,
it's common for people to spend $25,000 on them...but in public they are
supposed to be invisible."
An imperative to
increase our engagement with our bathrooms comes from resource scarcity,
which makes the 50 liters of potable water lost with every flush ever
less affordable. Penner highlights California's drought, which has
driven a movement to recycle toilet water for drinking, as an example of
the need to move beyond "flush and forget".
Whether it is through
low-tech, off-grid systems, closed-loop recycling, or luxurious
experiences for the indulgent, new concepts for bathrooms are finally
arriving to meet modern challenges. If only we could face them.
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